My One True Love
Filed Under (Real Life) by s magazine on 15-03-2009
Tagged Under : gerard, gerard salonga, s mag, s mag blog, s magazine, s magazine blog, smag, star blog
by Gerard Salonga
When I got the call asking me to write about my love for music, I first thought, “Sure, piece of cake, I’ll have lots to say.” When it came time to sit down and actually write, it turned out to be more difficult than I could have imagined.
How does one describe in plain words one’s love for something like music? After all, music is something that expresses the inexpressible, and to reduce something like my feelings for it into something merely verbal seemed daunting a task. How was I going to do this without it sounding like an autobiography? I wanted it to be honest and candid, but not seem self-congratulatory.
It would have been easier for me to describe my love for my wife, or my mother, or my dog Rocky for that matter… but here we are, so let’s give this a shot, and if anything, it may at least allow me to share with you a little bit of how I feel for this thing we call music. Many a feature article and souvenir programme have described my education and professional experience, so I’ll spare you from all that. Here we go.
How did we meet? I have no recollection of the first contact I ever had with music. For all I know it could have been from inside my mother’s womb as she listened to the radio. I do remember my first listening experiences. It was in our living room, where I would be fed a diet of The Carpenters, James Last, ABBA, Chopin, and Chinese opera. These were on reel-to-reel tapes, which were the thing back in the mid-‘70s (I was born in 1973). I remember my dad teaching me how to turn on the machine and thread the tape so I could listen whenever I wanted.
There I would be, listening for hours to The Sound of Music, or a recording of Beethoven’s Symphony No. 5, sitting totally still throughout the whole thing. I was four. My mom thought I had some form of autism, because if the machine weren’t plugged in, I would thread the tape, and turn the reels to the end, singing what was supposed to be on the tape. I actually remember singing Beethoven 5 all the way through while turning the reels. Sometimes it would all be in my head, and I wouldn’t sing anything, which I’m sure was quite alarming to my mom.
One afternoon, there it was. I didn’t see it come through the front door. I walked into the living room and it stood there, a shiny upright piano. My sister Lea began taking lessons on it but I wouldn’t get my hands on it till a year later. I still remember vividly that first lesson. Mrs. Miraflor came over for Lea’s lesson as usual, and after they had finished she called me over and sat me on the bench. She showed me each of the notes in the C major scale. I was in love. On our piano, the G above middle C had a different tone, and from that day it stuck in my head. To this day, G (not A) is my surefire reference pitch.
More of Gerard Salonga’s love for music in the March 2009 issue of S Magazine.
